This ongoing series of self-portraits, now over 150 separate images, explores self-observation, dislocation, and impermanence.
No End In Sight is a collection of photographs of the witnessing self, taken over a two year period in London and Los Angeles (video adjacent).
"For many of the images, I’m looking for ways to block or erase parts of my face and body because I want to move away from conventional self-portraiture as much as possible, and because I’m more interested in the transformation of the self. The window surface, and how light strikes it, is key to this, and so the texture of the glass is important — how clean or weathered it is, or whether it’s been graffitied on.
In other images, while there's usually some distortion of the face or figure — even the appearance of amputation in some cases — it’s more about the space, and where the subject stands in it. Reflecting the street into the area behind the window creates a liminal volume, and the entire image becomes the subject. I think of these photographs as inter-dimensional visions that contain a version of the self, not self-portraits that make the figure the subject.”
Below: Selection of series images, Disappearance Triptych, Chaos Triptych, Entangled, The Impossibility of Closure (single panel)
