“Reducing events to a handful of essential images is as close as I can get to that synaptic flash of memory.”
Alternating between figuration and abstraction, each lenticular contains five frames and a composite of multiple images — photographs, archive video, and graphic elements — that blend and fragment as the viewer moves, preventing a single narrative from emerging. Viewed in motion, they are a fluid expression of memory, fleeting and intangible, in a constant state of flux. While vertical lines and colored discs (references to the scratches and the hole-punches of vintage 35mm prints) initially impose structure, they also dissolve into abstraction, vulnerable to the erosive power of time.
Below: selection of image layers, installation images, and the work seen in motion.
